|
Originally the town included Warren and part of Washington,
but by 1784 the present boundaries were established, with
Warren and Washington as separate towns. Land speculation
was rampant during the early colonization of Connecticut's
"Western Lands," and Kent was no exception. Many of the early
lots were bought and sold with alarming frequency, with prices
rising at each transaction. Within a few decades, some settlers
began to eye the uninhabited land (about 11,000 acres) across
the river, and soon Kent's first major scandal erupted. According
to Miss Emily Hopson, late President of the Kent Historical
Society, two early entrepreneurs, Joseph Fuller and Joshua
Lassell, "staked out large claims of land and appealed to
the General Assembly for approval of grants to the land, disguising
the amount of land involved and presenting themselves as hard-pressed
farmers. The legislature was skeptical of their claims and
reduced their acreage considerably," with Joseph Fuller ending
up only with the land on the mountain that bears his name
today.
Moses Rowley of Sharon soon jumped on the bandwagon, and
managed to acquire most of the Macedonia Valley. He continued
to add to his holdings on the other side of the river at a
rapid rate. At that time, the western lands were not officially
part of Kent, and therefore not subject to taxation or regulation.
The townspeople of Kent began to realize the potential of
what was being squirreled away by Rowley and others, and petitioned
the General Assembly to annex all the lands into the town.
The General Assembly promptly ordered that the land in question
be annexed, surveyed, and sold off by lots. Colony Surveyor
Roger Sherman arrived in 1752 and divided the acreage into
twenty-eight lots, somehow missing Rowley's land in the process.
Initially escaping detection, Rowley managed to tangle with
the General Assembly periodically after that, finally petitioning
for a grant to the land. The grant was given in 1769, but
in 1771 it was charged that Rowley had, like Fuller and Lassell
before him, deceived the assembly by understating the actual
amount of land in his holdings, and two major investigations
ensued. Finally, he was found by the Selectmen of Kent to
be "guilty of poor husbandry and mismanagement in his business
and is thereby in great damage of wasting his estate, we therefore
appoint Abraham Fuller to be overseer over said Moses Rowley.
Justice of the Peace Feb 25, 1771, Town Clerks Office, Kent."
At long last the western lands were all included within Kent's
official boundaries, and fittingly, Moses Rowley's initial
grab now belongs to the People of the State of Connecticut
as Macedonia State Park.
Macedonia has always played an important role in the town
of Kent. In contrast to its present peaceful existence, the
valley was once a vigorous hub of activity centered around
one of the town's three blast furnaces. Iron Fever gripped
the entire northwest corner of Connecticut during the 1800s,
beginning with the many small local forges and developing
into a major industry for the town of Kent, with furnaces
in Macedonia, Flanders, and Bulls Bridge. There was high-grade
iron ore buried in our hills and the heavily forested mountains
provided an ample supply of charcoal to fuel the furnaces.
Surrounding the furnaces were gristmills, saw mills, cider
mills, trading posts, and other cottage industries that supported
the ironworkers. The population of the town reached a high
point during the heyday of the iron industry, with Kent's
high quality iron being shipped out for many uses, including
the manufacture of wheels for the increasingly popular railroad
trains.
The arrival of the railroad drastically altered the face
of Kent. Whereas the town center had originally been located
in Flanders, about two miles north of the present Main Street,
the establishment of the railroad in the flat river valley
brought new life to the area formerly known as the "Grate
Plain," once used as grazing ground. The lovely Victorian
houses that still line Kent's main streets were built as a
result of the railroad, and Flanders became a sleepy little
hamlet of stately Colonial homes.
The iron industry waned in the late 1800s, but Kent did not
skip a beat. Farming, always practiced on a subsistence level,
began to fill the gap left by the iron industry. With the
hillsides clearcut by the voracious need for charcoal, dairy
farms proliferated, along with tobacco, corn, hay, wheat,
rye, chickens, goats, sheep and pigs! There are still a few
farms left in town, although nothing like the eighty or ninety
that dotted the landscape in the days before the mega-farms
and mass transit put them out of business. Population dipped.
But this mass transit brought another boon to Kent. The newly
arrived trains began to bring a fresh resource to the town
- tourists. Not long after that, the invention of the automobile
increased access to our area. The "Great Trunk Road," now
Rte 7, was built, allowing many city-bound people to escape
to the fresh air of the country. The covered bridge at Bulls
Bridge gorge and Kent Falls just north of town quickly became
new tourist attractions that are still popular today.
About this time, a scion of Danbury's famous White family,
Alain White, began to recognize the threat to the area from
all this increased visitation. He and his sister May quietly
started buying up land, which they gave to the state for public
parks, including both Macedonia and Kent Falls in Kent. Mr.
White also donated land in other towns, and eventually established
a foundation to preserve his own beloved home in Litchfield
- The White Memorial Foundation.
The bucolic setting of this little rural town with its farm
fields and rolling hills captured the attention of a number
of talented landscape artists, primarily from New York. According
to Robert Michael Austin, author of the recently published
Artists of the Litchfield Hills, "Kent attracted the
most permanent colony of artists and developed the only artists'
organization that survives today." The Kent Art Association
celebrated its 80th anniversary in 2004. Its founders included
George Laurence Nelson, Robert Nisbet, Spencer Nichols, Willard
Paddock, Frederick J. Waugh, Rex Brasher, F. Luis Mora, Eliot
Clark, and Floyd Clymer. All these men, along with other friends
and family members in the colony, were extremely skilled,
highly respected artists whose work is still in great demand.
Laurence Nelson's 1751 Flanders home now belongs to the
Kent Historical Society and is open to the public during the
summer. On display are many of his finest works. Also in the
house, though rarely on display, are two portraits by an earlier,
also famous, local artist - Ammi Phillips. Were it not for
Laurence Nelson and his wife Helen's arrival in Kent, Ammi
Phillips' identity might never have been known. Helen Nelson
was an art critic who had developed a keen eye for her subject.
As she began to socialize with area residents, she noted many
unsigned portraits, the quality of which quickly attracted
her. She recognized them as all being done by the same primitive
but talented hand, and set about to discover his identity.
She staged an exhibit of his works in Kent, and in the March
1925 issue of International Studio, wrote a fascinating
article about the yet unidentified "Border Limner" or "Kent
Limner," as Phillips came to be known. Tirelessly promoting
his work, through exhibits, speeches, and articles, Helen
continued her search for his story, and was soon joined by
other detectives. Eventually, a signed painting was discovered,
and finally in 1959, Barbara and Lawrence Holdridge were able
to conclusively prove his identity. Today, Phillips' portraits
are considered to be exquisite examples of early American
Primitive art.
Another artist of world renown was a resident of nearby Warren
- Eric Sloane. Sloane left a huge legacy to the town of Kent
through his donation of the defunct Kent Iron Manufacturing
Company lands to the state of Connecticut for the establishment
of a museum there. Through this benevolent gesture to the
town he loved, Sloane really managed to tie together many
important elements of Kent - the iron industry, farming, art
and tourism.
The Sloane-Stanley Museum grounds are on the site of the
Kent Iron Manufacturing complex, the furnace of which has
just been restored by the state. The main building of the
museum houses Sloane's extraordinary collection of farm tools.
His studio from Warren is reconstructed in the building, along
with a gallery featuring many of his finest works. The complex
itself is arguably the most popular tourist attraction in
town, rivaling nearby Kent Falls as a destination for folk
from far and wide. From the museum grounds in the heart of
old Kent, a visitor may gaze across the Houstaonic to the
controversial Western Lands, and then head south to stroll
down the Main Street of a quintessential New England town.
Also View: Kent Genealogy
|